City Mirages

City Mirages:
East Berlin at Night

Video artwork
(personal project)

Concept & direction:
Jonas Meyer

Camera, editing & grading:
Steven Lüdtke

Inspired by
Sven Marquardt

In 2021, the renowned East Berlin photographer Sven Marquardt told me about an astonishing, but also mysterious dream he had many years ago:

Deep in the night, he was driving along an empty and seemingly endless road, over which huge black poplars rose from both sides like trellises. This dream image must have been extremely impressive because fully-grown black poplar trees can grow up to 30 meters high.

City Mirages: East Berlin at Night

Video artwork
(personal project)

Concept & direction:
Jonas Meyer

DOP, editing & grading:
Steven Lüdtke

Inspired by
Sven Marquardt

In 2021, the renowned East Berlin photographer Sven Marquardt told me about an astonishing, but also mysterious dream he had many years ago:

Deep in the night, he was driving along an empty and seemingly endless road, over which huge black poplars rose from both sides like trellises. This dream image must have been extremely impressive because fully-grown black poplar trees can grow up to 30 meters high.

Inspired by this so personal story, I had the idea to translate the powerful dream into cinematic images with the help of DOP Steven Lüdtke. However, I didn’t want the individual scenes to take place on an unknown country road, but in the middle of Berlin. Or more precisely: in East Berlin, Sven Marquardt’s natural habitat—especially at night.

Inspired by this so personal story, I had the idea to translate the powerful dream into cinematic images with the help of DOP Steven Lüdtke. However, I didn’t want the individual scenes to take place on an unknown country road, but in the middle of Berlin. Or more precisely: in East Berlin, Sven Marquardt’s natural habitat—especially at night.

Credits:

Concept & direction: Jonas Meyer
Camera, editing & grading: Steven Lüdtke

Inspired by Sven Marquardt

Credits:

Concept & direction: Jonas Meyer
Camera, editing & grading: Steven Lüdtke

Inspired by Sven Marquardt


Making of »The Fox«

Making-of
»The Fox«

Client:
Geißendörfer Pictures

Concept & direction:
Jonas Meyer

DOP & editing:
Steven Lüdtke

Original music:
Arash Safaian

Sound mix:
Leonard Biwer

Cut-out from the making-of (total length 15:53 min.)

At the beginning of 2023, I had the pleasure of working with DOP and editor Steven Lüdtke to produce an about 15-minute making-of for the feature film „The Fox“ (German title: „Der Fuchs“).

„The Fox“ is the true story of Franz Streitberger, a motorcycle courier in the Austrian army, who is integrated into the Wehrmacht when Austria is annexed by the German Reich. At the beginning of World War II, the introverted young soldier finds a wounded fox cub, which he cares for as his own child and takes with him to occupied France. Through this strange friendship with the animal, his own past as an outcast mountain farmer’s son slowly catches up with him, from which he has been running away for most of his life.

The real Franz Streitberger, born in 1917, was the great-grandfather of director Adrian Goiginger. In the drama „The Fox“ he is played by Simon Morzé. During the Berlinale in February 2023, we had the opportunity to conduct extensive interviews with both of them in front of the camera about their touching feature film. We combined this material with various private photos and original scenes from the film and accompanied them with the wonderful film music by Arash Safaian. For our making-of, we were also able to use behind-the-scenes footage that was shot during the first days of filming in spring 2021.

Making-of »The Fox«

Client:
Geißendörfer Pictures

Concept & direction:
Jonas Meyer

DOP & editing:
Steven Lüdtke

Original music:
Arash Safaian

Sound mix:
Leonard Biwer

Cut-out from the making-of (total length 15:53 min.)

At the beginning of 2023, I had the pleasure of working with DOP and editor Steven Lüdtke to produce an about 15-minute making-of for the feature film „The Fox“ (German title: „Der Fuchs“).

„The Fox“ is the true story of Franz Streitberger, a motorcycle courier in the Austrian army, who is integrated into the Wehrmacht when Austria is annexed by the German Reich. At the beginning of World War II, the introverted young soldier finds a wounded fox cub, which he cares for as his own child and takes with him to occupied France. Through this strange friendship with the animal, his own past as an outcast mountain farmer’s son slowly catches up with him, from which he has been running away for most of his life.

The real Franz Streitberger, born in 1917, was the great-grandfather of director Adrian Goiginger. In the drama „The Fox“ he is played by Simon Morzé. During the Berlinale in February 2023, we had the opportunity to conduct extensive interviews with both of them in front of the camera about their touching feature film. We combined this material with various private photos and original scenes from the film and accompanied them with the wonderful film music by Arash Safaian. For our making-of, we were also able to use behind-the-scenes footage that was shot during the first days of filming in spring 2021.

Credits:

Making-of „The Fox“ –
An interview with Adrian Goiginger and Simon Morzé

Concept & direction: Jonas Meyer
Camera (interview scenes): Steven Lüdtke
Camera (behind-the-scenes): Baris Zencirli
Editing & grading: Steven Lüdtke
Sound mix: Leonard Biwer

Film clips & original music from »The Fox«

Distribution: Alamode Film
World distribution: Beta Film

A joint production of Geißendörfer Pictures, Lotus Film, Giganten Film & 2010 Entertainment

© 2022, all rights reserved.

Credits:

Making-of „The Fox“ –
An interview with Adrian Goiginger and Simon Morzé

Concept & direction: Jonas Meyer
Camera (interview scenes): Steven Lüdtke
Camera (behind-the-scenes): Baris Zencirli
Editing & grading: Steven Lüdtke
Sound mix: Leonard Biwer

Film clips & original music from »The Fox«

Distribution: Alamode Film
World distribution: Beta Film

A joint production of Geißendörfer Pictures, Lotus Film, Giganten Film & 2010 Entertainment

© 2022, all rights reserved.


Adidas Originals

Adidas x Perbandt x Marquardt

Client:
adidas Originals

DOP:
Sven Marquardt

Concept:
Jonas Meyer & Tavy Hornbrook

Editing:
Jonas Meyer

Music:
Emika

“Jewelry is my second skin.” In 2022, Berlin-based fashion and jewelry designer Esther Perbandt created six statement pieces consisting of necklaces, earrings, key chains and bangles. Perbandt’s collection was accompanied by an expressive image campaign, which was realized in Iceland in collaboration with Sven Marquardt.

The renowned East Berlin photographer not only staged the jewelry photographically, but also filmed countless scenes with his iPhone, spending on week in one of the most breathtaking landscapes in the world.

Adidas x Perbandt x Marquardt

Client:
adidas Originals

DOP:
Sven Marquardt

Concept:
Jonas Meyer & Tavy Hornbrook

Editing:
Jonas Meyer

Music:
Emika

“Jewelry is my second skin.” In 2022, Berlin-based fashion and jewelry designer Esther Perbandt created six statement pieces consisting of necklaces, earrings, key chains and bangles. Perbandt’s collection was accompanied by an expressive image campaign, which was realized in Iceland in collaboration with Sven Marquardt.

The renowned East Berlin photographer not only staged the jewelry photographically, but also filmed countless scenes with his iPhone, spending on week in one of the most breathtaking landscapes in the world.

Back in Berlin, Marquardt commissioned digital creator Tavy Hornbrook and me to create a concept for a campaign film from the footage he had shot in Iceland.

Based on that, we edited a main video of about three minutes and various other assets to accompany the campaign on social media and at the adidas Originals flagship store in Berlin-Mitte, where the collection has been available exclusively since December 2, 2022.

Back in Berlin, Marquardt commissioned digital creator Tavy Hornbrook and me to create a concept for a campaign film from the footage he had shot in Iceland.

Based on that, we edited a main video of about three minutes and various other assets to accompany the campaign on social media and at the adidas Originals flagship store in Berlin-Mitte, where the collection has been available exclusively since December 2, 2022.

Credits:

DOP: Sven Marquardt
Fashion: adidas x Esther Perbandt
Jewelry: Esther Perbandt exclusive for adidas

Hair, make-up & styling on set: Saskia Krause
Production & 2nd camera: Hardy Paetke
Drone: Christoph Dahlberg
Talent: Lex Olsen

Video concept: Jonas Meyer & Tavy Hornbrook
Editing & grading: Jonas Meyer
Music: Emika

Project management: Laura Haselmann

Credits:

DOP: Sven Marquardt
Fashion: adidas x Esther Perbandt
Jewelry: Esther Perbandt exclusive for adidas

Hair, make-up & styling on set: Saskia Krause
Production & 2nd camera: Hardy Paetke
Drone: Christoph Dahlberg
Talent: Lex Olsen

Video concept: Jonas Meyer & Tavy Hornbrook
Editing & grading: Jonas Meyer
Music: Emika

Project management: Laura Haselmann


Movement in the Elements

Movement in the Elements

Client:
Kia Germany

Director:
Jonas Meyer

DOP:
Steven Lüdtke

Photography:
Franz Grünewald

Lead agency:
REPUBLIC

For Kia Germany, DOP Steven Lüdtke, photographer Franz Grünewald and I portrayed cold water surfer Finn Springborn. The 27-year-old lives in the idyllic town of Klitmøller on the Danish North Sea coast and gets on his board day after day in temperatures where others wouldn’t even leave the house.

Movement in the Elements

Client:
Kia Germany

Director:
Jonas Meyer

DOP:
Steven Lüdtke

Photography:
Franz Grünewald

Lead agency:
REPUBLIC

For Kia Germany, DOP Steven Lüdtke, photographer Franz Grünewald and I portrayed cold water surfer Finn Springborn. The 27-year-old lives in the idyllic town of Klitmøller on the Danish North Sea coast and gets on his board day after day in temperatures where others wouldn’t even leave the house.

On behalf of REPUBLIC, the joint marketer of Frankfurter Allgemeine and Süddeutsche Zeitung, we accompanied Finn Springborn in his usual surfing routine for two days in January 2023. In the process, we not only immersed ourselves in the landscape shaped by wind and weather but were also able to experience live—from the dry beach—how Finn and other intrepid surfers throw themselves into the ice-cold waves with great fun.

The result was an extensive portrait in text, photograpghy and film, which was published in a special ad on the F.A.Z. and S.Z. websites on February 24.

On behalf of REPUBLIC, the joint marketer of Frankfurter Allgemeine and Süddeutsche Zeitung, we accompanied Finn Springborn in his usual surfing routine for two days in January 2023. In the process, we not only immersed ourselves in the landscape shaped by wind and weather but were also able to experience live—from the dry beach—how Finn and other intrepid surfers throw themselves into the ice-cold waves with great fun.

The result was an extensive portrait in text, photograpghy and film, which was published in a special ad on the F.A.Z. and S.Z. websites on February 24.

Main credits:

Text & direction: Jonas Meyer
Camera, editing & grading: Steven Lüdtke
Photography: Franz Grünewald

Cast: Finn Springborn

Producer: Sebastian Jurksch

Production: REPUBLIC Marketing & Media Solutions GmbH

Main credits:

Text & direction: Jonas Meyer
Camera, editing & grading: Steven Lüdtke
Photography: Franz Grünewald

Cast: Finn Springborn

Producer: Sebastian Jurksch

Production: REPUBLIC Marketing & Media Solutions GmbH


C/O Digital

C/O Digital

Client:
C/O Berlin Foundation

Concept, script, layout & animation:
Jonas Meyer

Speaker:
Caroline Tyka

Sound design & composing:
Leonard Biwer

In the summer of 2022, I was asked by the renowned C/O Berlin Foundation to produce an animated explainer video for the launch of the new online platform C/O Digital. C/O Digital is a virtual space dedicated to the exploration of digital visual cultures, where artists, technologists, and activists engage with central issues of nowness.

In a three-week sprint, I first developed a dramaturgical approach including a voiceover text, then created a design concept for the layouts of the individual scenes, and finally animated the entire film in Adobe After Effects.

C/O Digital was released on July 14, 2022, during a big birthday party — exactly 22 years after C/O Berlin was founded.

C/O Digital

Client:
C/O Berlin Foundation

Concept, script, layout & animation:
Jonas Meyer

Speaker:
Caroline Tyka

Sound design & composing:
Leonard Biwer

In the summer of 2022, I was asked by the renowned C/O Berlin Foundation to produce an animated explainer video for the launch of the new online platform C/O Digital. C/O Digital is a virtual space dedicated to the exploration of digital visual cultures, where artists, technologists, and activists engage with central issues of nowness.

In a three-week sprint, I first developed a dramaturgical approach including a voiceover text, then created a design concept for the layouts of the individual scenes, and finally animated the entire film in Adobe After Effects.

C/O Digital was released on July 14, 2022, during a big birthday party — exactly 22 years after C/O Berlin was founded.

By the way: This enormous project speed would not have been possible without the close and trusting collaboration with the entire C/O Berlin team as well as the spontaneous commitment of speaker Caroline Tyka and sound designer and composer Leonard Biwer.

A special thanks goes to animation designer Kiel D. Mutschelknaus and his fabulous Space Type Generator, from which I was allowed to integrate some live scenes into the video.

By the way: This enormous project speed would not have been possible without the close and trusting collaboration with the entire C/O Berlin team as well as the spontaneous commitment of speaker Caroline Tyka and sound designer and composer Leonard Biwer.

A special thanks goes to animation designer Kiel D. Mutschelknaus and his fabulous Space Type Generator, from which I was allowed to integrate some live scenes into the video.

Credits:

Concept, script, layout & animation: Jonas Meyer

Speaker: Caroline Tyka
Sound design & composing: Leonard Biwer
Live animation: Kiel D. Mutschelknaus / Space Type Generator

Curatorship: Felix Hoffmann, Barbara Cueto
Head of communication: Magnus Pölcher
Creative direction: Marc Naroska

Credits:

Concept, script, layout & animation: Jonas Meyer

Speaker: Caroline Tyka
Sound design & composing: Leonard Biwer
Live animation: Kiel D. Mutschelknaus / Space Type Generator

Curatorship: Felix Hoffmann, Barbara Cueto
Head of communication: Magnus Pölcher
Creative direction: Marc Naroska


Here lives Berlin

Here lives Berlin

Client:
GESOBAU AG

Concept & direction:
Jonas Meyer

DOP:
Valquire Veljkovic

Drone, editing & grading:
Steven Lüdtke

In the fall of 2021, East Berlin photographer Sven Marquardt was asked to shoot an extensive portrait series for the state-owned housing company GESOBAU AG. The aim of this production was to make the diversity and authenticity of Berlin’s tenants visible and thus to lay the photographic foundation for the 2022 image campaign. Title: „Hier wohnt Berlin“ („Here lives Berlin“).

Here lives Berlin

Client:
GESOBAU AG

Concept & direction:
Jonas Meyer

DOP:
Valquire Veljkovic

Drone, editing & grading:
Steven Lüdtke

In the fall of 2021, East Berlin photographer Sven Marquardt was asked to shoot an extensive portrait series for the state-owned housing company GESOBAU AG. The aim of this production was to make the diversity and authenticity of Berlin’s tenants visible and thus to lay the photographic foundation for the 2022 image campaign. Title: „Hier wohnt Berlin“ („Here lives Berlin“).

Together with DOP Valquire Veljkovic, my task was to accompany the photo production cinematically and to create a concise teaser for the launch of the campaign in June 2022.

Enriched by some spectacular drone shots of Steven Lüdtke, this resulted in an 80-second video (115 seconds for the version with longer credits), which not only takes a look behind the scenes of the photo production. It also, like Marquardt’s photographs, gives a first impression of the diversity of Berlin’s tenants.

Together with DOP Valquire Veljkovic, my task was to accompany the photo production cinematically and to create a concise teaser for the launch of the campaign in June 2022.

Enriched by some spectacular drone shots of Steven Lüdtke, this resulted in an 80-second video (115 seconds for the version with longer credits), which not only takes a look behind the scenes of the photo production. It also, like Marquardt’s photographs, gives a first impression of the diversity of Berlin’s tenants.

Credits:

Concept & direction: Jonas Meyer

DOP: Valquire Veljkovic
Drone, editing & grading: Steven Lüdtke
Production assistant: Juliusz Gastev

Photography: Sven Marquardt
Photography assistant: Jan Behrendt

Hair & make-up: Saskia Krause
Styling: Klaus Stockhausen
Styling assistant: Maxie Elizabeth

Producer: Hardy Paetke

Credits:

Concept & direction: Jonas Meyer

DOP: Valquire Veljkovic
Drone, editing & grading: Steven Lüdtke
Production assistant: Juliusz Gastev

Photography: Sven Marquardt
Photography assistant: Jan Behrendt

Hair & make-up: Saskia Krause
Styling: Klaus Stockhausen
Styling assistant: Maxie Elizabeth

Producer: Hardy Paetke


A Place of Infinite Facets

A Place of Infinite Facets

Client:
Campus Berlin-Buch

Director:
Jonas Meyer

DOP:
Steven Lüdtke

Speaker:
Caroline Tyka

In 2021, I had the pleasure to write and direct an all-new image film for Campus Berlin-Buch, titled „A Place of Infinite Facets.“ The campus in the northeast of Berlin is one of the largest biotech parks in Germany, offering founders and companies around 31,000 square meters of state-of-the-art laboratory and office spaces.

A Place of Infinite Facets

Client:
Campus Berlin-Buch

Director:
Jonas Meyer

DOP:
Steven Lüdtke

Speaker:
Caroline Tyka

In 2021, I had the pleasure to write and direct an all-new image film for Campus Berlin-Buch, titled „A Place of Infinite Facets.“ The campus in the northeast of Berlin is one of the largest biotech parks in Germany, offering founders and companies around 31,000 square meters of state-of-the-art laboratory and office spaces.

The task of DOP Steven Lüdtke and me was to create a film that underlines the multifaced nature of this stunning place and encourages scientists and founders from all over the world to move to Berlin, settle in this remarkable environment, and shape the future of medicine.

The task of DOP Steven Lüdtke and me was to create a film that underlines the multifaced nature of this stunning place and encourages scientists and founders from all over the world to move to Berlin, settle in this remarkable environment, and shape the future of medicine.

Main credits:

Director: Jonas Meyer
DOP: Steven Lüdtke

1st AC & production assistant: Felix M. Weber

Speaker: Caroline Tyka
Text: Jonas Meyer

Editing & color grading: Steven Lüdtke
Sound recording & mixing: Leonard Biwer

Concept & script: Jonas Meyer

Production: MYP Media

Main credits:

Director: Jonas Meyer
DOP: Steven Lüdtke

1st AC & production assistant: Felix M. Weber

Speaker: Caroline Tyka
Text: Jonas Meyer

Editing & color grading: Steven Lüdtke
Sound recording & mixing: Leonard Biwer

Concept & script: Jonas Meyer

Production: MYP Media


Josef Hader

Josef Hader

Client:
MYP Magazine

Interview & text:
Jonas Meyer

Photography:
Maximilian König

»Old white men often don’t have happy endings«

For our MYP Magazine, photographer Maximilian König and I had the pleasure of meeting Austrian cabaret artist, actor and director Josef Hader for an in-depth interview and portrait shoot in January 2021.

Hader, who had performed the night before at Berlin’s Babylon cinema with his new stage program „Hader On Ice,“ explained to us in the interview why gray gentlemen annoy him, what Jörg Haider has to do posthumously in the teleshop, and why Europe is a construct to which one cannot have a purely enthusiastic relationship.

Josef Hader

Client:
MYP Magazine

Interview & text:
Jonas Meyer

Photography:
Maximilian König

»Old white men often don’t have happy endings«

For our MYP Magazine, photographer Maximilian König and I had the pleasure of meeting Austrian cabaret artist, actor and director Josef Hader for an in-depth interview and portrait shoot in January 2021.

Hader, who had performed the night before at Berlin’s Babylon cinema with his new stage program „Hader On Ice,“ explained to us in the interview why gray gentlemen annoy him, what Jörg Haider has to do posthumously in the teleshop, and why Europe is a construct to which one cannot have a purely enthusiastic relationship.


Three Wheels, One Summer

Three Wheels, One Summer

Client:
Giganten Film Produktions GmbH

Creative direction & text:
Jonas Meyer

Photography & retouching:
Maximilian König

Producer:
Gerrit Klein

In the summer of 2021, I was commissioned by the Ludwigsburg-based production company Giganten Film with the press support for the TV film “Three Wheels, One Summer” (German title “Sommer auf drei Rädern”), a co-production with SWR, ORF and ARTE.

“Three Wheels, One Summer” is an entertaining coming-of-age comedy in which three extremely different characters embark on an adventurous road trip through the Swabian province. One almost said the word fast, but they are on the road in a Piaggio Ape. The small vehicle has only 11 horsepower—and can reach a top speed of 45 km/h.

Three Wheels, One Summer

Client:
Giganten Film Produktions GmbH

Creative direction:
Jonas Meyer

Photography & retouching:
Maximilian König

Producer:
Gerrit Klein

In the summer of 2021, I was commissioned by the Ludwigsburg-based production company Giganten Film with the press support for the TV film “Three Wheels, One Summer” (German title “Sommer auf drei Rädern”), a co-production with SWR, ORF and ARTE.

“Three Wheels, One Summer” is an entertaining coming-of-age comedy in which three extremely different characters embark on an adventurous road trip through the Swabian province. One almost said the word fast, but they are on the road in a Piaggio Ape. The small vehicle has only 11 horsepower—and can reach a top speed of 45 km/h.

In the first step, photographer Maximilian König and I developed the concept for a catchy key visual, which should sum up the character of the film and be suitable for various media applications: from the official film poster to use in social networks and integration in the media libraries of the co-producing TV stations.

In the second step, Maximilian realized the created idea and photographed the key visual at the end of July 2021 when cast and crew were filming in the Stuttgart area. Thanks to the support of producer Gerrit Klein, he was able to set up his own photo set right next to the film set, where he staged the Ape as well as the three main characters Flake, Kim, and Philipp. In this context, Maximilian also shot various character portraits for the broadcasters‘ media libraries.

In the first step, photographer Maximilian König and I developed the concept for a catchy key visual, which should sum up the character of the film and be suitable for various media applications: from the official film poster to use in social networks and integration in the media libraries of the co-producing TV stations.

In the second step, Maximilian realized the created idea and photographed the key visual at the end of July 2021 when cast and crew were filming in the Stuttgart area. Thanks to the support of producer Gerrit Klein, he was able to set up his own photo set right next to the film set, where he staged the Ape as well as the three main characters Flake, Kim, and Philipp. In this context, Maximilian also shot various character portraits for the broadcasters‘ media libraries.

In the third step, I created the film’s visual identity, designed the official film poster based on the final key visual, and conducted an extensive interview with director Marc Schlegel, DOP Mortimer Hochberg, and producer Gerrit Klein. After that, I created a comprehensive press kit to promote the film internationally.

In the third step, I created the film’s visual identity, designed the official film poster based on the final key visual, and conducted an extensive interview with director Marc Schlegel, DOP Mortimer Hochberg, and producer Gerrit Klein. After that, I created a comprehensive press kit to promote the film internationally.


Goldner Good

I Feel Goldner Good

Client:
Atelier Goldner

Direction:
Jonas Meyer

Camera, editing & grading:
Steven Lüdtke

Photography:
Maximilian König

Lead agency:
K’UP

In September 2021, I had the honor of directing the very first image spot of Atelier Goldner’s brand history. The international clothing company from Frankonia, which can rely on decades of heritage, addresses mature target groups in an appreciative and fashionable way.

Together with DOP Steven Lüdtke and photographer Maximilian König, we let two best-ager models experience the beauty of the Mediterranean island of Mallorca, celebrating their friendship and casually presenting Goldner’s spring/summer 2022 collection.

I Feel Goldner Good

Client:
Atelier Goldner

Direction:
Jonas Meyer

Camera, editing & grading:
Steven Lüdtke

Photography:
Maximilian König

In September 2021, I had the honor of directing the very first image spot of Atelier Goldner’s brand history. The international clothing company from Frankonia, which can rely on decades of heritage, addresses mature target groups in an appreciative and fashionable way.

Together with DOP Steven Lüdtke and photographer Maximilian König, we let two best-ager models experience the beauty of the Mediterranean island of Mallorca, celebrating their friendship and casually presenting Goldner’s spring/summer 2022 collection.

The spot was released in February 2022 and accompanied an extensive rebranding campaign conceived by Berlin-based K’UP consultancy, introducing the brand’s new slogan, “I feel Goldner good.”

Fun fact: With directing that image spot, I made my grandma very proud—because she’s been a loyal Atelier Goldner customer for years, as it turned out.

The spot was released in February 2022 and accompanied an extensive rebranding campaign conceived by Berlin-based K’UP consultancy, introducing the brand’s new slogan, “I feel Goldner good.”

Fun fact: With directing that image spot, I made my grandma very proud—because she’s been a loyal Atelier Goldner customer for years, as it turned out.

Main Credits:

Direction: Jonas Meyer

Camera, editing & grading: Steven Lüdtke

Producer & Styling: Maren Seeger

Production: K’UP

Hair & Make-up: Hedi Tuner, Christine Schmidt-Dudorov

Cast: Marielle van Oostrom (Egos), Carla Rep (PMA)

Creative direction: Lars Weber

Location scouting: Mukesh Arya, Giacomo Neri

Photography: Maximilian König

Main Credits:

Direction: Jonas Meyer

Camera, editing & grading: Steven Lüdtke

Producer & Styling: Maren Seeger

Production: K’UP

Hair & Make-up: Hedi Tuner, Christine Schmidt-Dudorov

Cast: Marielle van Oostrom (Egos), Carla Rep (PMA)

Creative direction: Lars Weber

Location scouting: Mukesh Arya, Giacomo Neri

Photography: Maximilian König

Since the first spot significantly increased Goldner’s online sales figures, we were subsequently allowed to produce two more campaign videos: in April 2022 in South Tyrol and in August 2022 in the South of France.

Since the first spot significantly increased Goldner’s online sales figures, we were subsequently allowed to produce two more campaign videos: in April 2022 in South Tyrol and in August 2022 in the South of France.